Photography in the winter can be tough. Exposures can be tricky; your equipment needs to be handled differently and if you’re not dressed appropriately, your main concern is usually getting inside as quickly as possible. Another common issue is finding color. Many winter photos almost look like they were shot in black and white. I’ve written articles in the past about finding color in the winter, but they were primarily geared towards finding it the natural way. This article is more about thinking “out of the box” and creating whimsical, fantasy-like images, purely for artistic purposes.
Winter – nature’s bleakest season. Or is it? It seems so, considering the scarcity of photographers in the field at this time of year. Where you would normally have to fight for the best position, you will undoubtedly now have the entire place all to yourself. In addition, you don’t have to worry too much about anyone wandering into your shot. Yes, winter doesn’t get much love when it comes to photography. Perhaps, it’s the inconvenience of dealing with frigid temperatures, and all the precautions needed to properly protect yourself and your equipment. Or, perhaps it’s the belief that there just isn’t anything worthwhile to shoot. Let’s face it, outside of a majestic, winter wonderland captured at the break of dawn or late in the day, most winter scenes are pretty bland. The fact that winter follows autumn – the most colorful of all seasons – you might feel as though you’re now shooting in black and white. But that doesn’t mean there’s absolutely no color to be found at all. It’s just a matter of knowing where to look and employing a few simple techniques.
The Pool frozen over at sunrise, Central Park, New York, NY (HDR compilation of 5 images).
Story & photography by F.M. Kearney
That time is quickly approaching. That time of year when many photographers will pack away their gear and patiently wait for the first colorful blooms next spring. Yet, winter isn’t completely devoid of color, as some might assume. In fact, if you carefully plan what you shoot and when you shoot, you may be surprised at the amount of color you can coax out of this often-overlooked season.
It may be the shortest month of the year, but to some, it can feel like the longest. Many of its days are dull and dreary. The few sunny days there are don’t last that long because it will be at least a month before Daylight Savings Time begins. Even people who love winter may be feeling that it’s high time to pack up the parka. As nature photographers, we find ourselves stuck in a sort of limbo between the last snowstorms of winter and the first blooms of spring. February can be a bit challenging in many ways, but when it comes to photography, it doesn’t have to be a barren wasteland.
Blizzards – a time to cuddle up by the fire (or a good heater) with a nice hot bowl of soup and watch the wonders of nature unfold from within the confines of your warm home. This may be the ideal way to ride out “bad” weather to some people, but to nature photographers, it’s a golden opportunity to capture some unique images under very unique conditions.
Facing the Howling Blizzard with Your Camera by Hank Erdmann
Winter is a wonderful time to pursue the art of nature and outdoor photography. Too many photographers put their cameras away once the leaves have fallen and don’t take them out again until cherry trees blossom. Photographing in winter does however take some dedication or at least enjoyment of the outdoors regardless of the weather. Just as when weather changes and rain begins to fall, some of your best shots will be made when those weather changes start or end. But as with rain, snow and cold weather require some precautions to protect your equipment and yourself.
In cold weather you have to get to the subject and safely back. Common sense says if you are cold, wet, shaking and miserable, the quality of your photographs will reflect your mental and physical state. Your comfort zone is a range of temperature that your body can operate effectively in and be relatively unaffected by uncomfortable conditions. That zone is different for all of us, narrower for some and wider for others. If you are not reasonably comfortable, your photography will reflect that fact. Its hard to get tack sharp, correctly exposed images if you are shaking, even with your camera mounted securely on a tripod. It will be impossible to concentrate on exposure and composition if your mind is preoccupied with keeping your body warm. Remember, you are supposed to be enjoying yourself, only those crazy enough to pursue nature photography as a full-time profession actually need to be out taking photographs in the winter. Whether it is for a vacation or occupation it makes sense to spend some time preparing yourself and your gear to stay within your comfort zone in cold weather. Continue reading →
Photographing outdoor holiday decorations is fun. It’s even better if you don’t have to deal with hordes of tourists tripping over your tripod. Probably best of all is when the decorations are in a natural setting that most tourists (and residents) don’t know about.
In addition to the annual, world-famous lighting of the Rockefeller Center Christmas tree in New York, there’s also the lighting of a slightly smaller display in Central Park. Each year, a flotilla of 13 trees is launched on a tiny “island” in the less-visited, northern section of the park. When I first saw it years ago, I actually thought it was a real island. I shot it at night and used the usual combo for best quality, i.e., low ISO and small aperture. As you may suspect, the results were less than successful. Although I didn’t detect it at the time, the subtle but constant movement of the artificial island ruined every shot due to the long exposures.
ISO 400, f/8
That was in the days of film when you were locked into a single ISO setting for all the pictures on the roll. Thankfully, today’s digital cameras are much more versatile. Not only can you change the ISO at will, but the resulting noise at the higher settings is much less than what you would have gotten with film. Additionally, more detail can be pulled out of the highlights and shadows due to their greater dynamic range capabilities. If the contrast is too strong, however, you may need to turn to HDR software.
Yellowstone, the world’s very first national park and one of the most popular, was established in 1872. Most of us think of it as a place to visit in spring, summer and fall, but certainly not in winter.
Wyoming winters can be brutally cold with great snow accumulations. The Yellowstone Plateau where the park sits averages 8,000 feet of elevation. This high elevation makes the sun more intense and the alpine weather patterns more dynamic and unpredictable.
Sound forbidding? Well, it can be. Indeed, the park was pretty much devoid of wintertime visitors until the advent of specialized cold-weather tourism several years ago. Since the cold is often intense and the snows deep, what’s the point, you might ask? Continue reading →