Yosemite, Yellowstone, Arches, Monument Valley. The names alone bring glorious and exciting images to mind. They’ve been published and printed for many decades. The classic shots of Half Dome, Old Faithful, Delicate Arch, and the Mittens; we’ve seen them all. Yet we continue to make pilgrimages to these scenic meccas of America in the hope of capturing the quintessential photograph of some already over exposed mountain or canyon that will distinguish our work from the pack; some fresh perspective that will set our images apart from the cliché.
Is this still possible? With all of the iconic photographs of our premier wilderness areas that have been made and circulated since the days of William Henry Jackson and Ansel Adams pioneered the craft, can we, with our hi-tech zillion megapixel cameras and the compressed schedules of our fast-lane lifestyles, persist in the creation of original interpretations of these well-known places? Clearly, the answer is still “Yes!”
Most of us are familiar with Ansel Adams’s iconic black-and-white images of Yosemite National Park in California’s Sierra Nevada Range. Adams considered the park to be “one of the great shrines of the world.” His images almost singlehandedly elevated landscape photography to recognition as a true art form.
Knowing that May and June are the months when Yosemite’s waterfalls are running at their heaviest is hardly news. But how many of us have considered Yosemite to be a prime winter photo destination? At only 4,000 feet of elevation, Yosemite Valley often gets better winter weather than many other spots in the Sierras. February can be magical here. Continue reading →